In relation to this, this:
In other non-sequitur news, I don't work hard enough.
Showing posts with label visual merchandising. Show all posts
Showing posts with label visual merchandising. Show all posts
Wednesday, June 30, 2010
Wednesday, June 23, 2010
Tuesday, June 09, 2009
Melange du chose au deux jours
Yesterday I tried to find fabric town, but got lost in 'normal people live here' town. It was lovely, actually. Lots of tiny narrow streets. I found a shopping street that I decided was functional and not uber consumerist and paradoxically went a bit buying things crazy. The ceramics they have here are to die for ... I still want to go back and buy the $50 red mug ... today I managed to only spend money on lunch and entry to a parky thing. What a star! Such restraint!
I've seen no art yet, I keep wandering on foot and getting lost in neighbourhoods or shops, or getting lost on a bike. Tomorrow I am totally going to see some art.
Today there were iris fields, which were frankly a little bit overrated (or perhaps it made me nostalgic for my Mum's garden). It was full of Japanese couples of a certain age, which is nice, and many were doing watercolours of the flowers. Yesterday I bought these dried banana things and they are so amazing that I've now looked up whether I'm allowed to bring them back to Aust (I think so, if I declare them) ... soooo goooooood.
What else happened in Tokyo? My charming host took me to a beautiful bookstore, full of gorgeous books on the twentieth century avant gardes. I can't tell you how pleasing a second-hand bookstore can be made to the eye in this country. I just can't. I exhibited great restraint in not buying the book of photographs of Morandi's studio in Bologna, or the Fluxus artist's book wherein all the contents of a table are described in great detail.
Oh, curry is ready! I'm being so well-looked after.
I've seen no art yet, I keep wandering on foot and getting lost in neighbourhoods or shops, or getting lost on a bike. Tomorrow I am totally going to see some art.
Today there were iris fields, which were frankly a little bit overrated (or perhaps it made me nostalgic for my Mum's garden). It was full of Japanese couples of a certain age, which is nice, and many were doing watercolours of the flowers. Yesterday I bought these dried banana things and they are so amazing that I've now looked up whether I'm allowed to bring them back to Aust (I think so, if I declare them) ... soooo goooooood.
What else happened in Tokyo? My charming host took me to a beautiful bookstore, full of gorgeous books on the twentieth century avant gardes. I can't tell you how pleasing a second-hand bookstore can be made to the eye in this country. I just can't. I exhibited great restraint in not buying the book of photographs of Morandi's studio in Bologna, or the Fluxus artist's book wherein all the contents of a table are described in great detail.
Oh, curry is ready! I'm being so well-looked after.
Wednesday, July 02, 2008
Monday, December 17, 2007
Post title
My blog has got heaps suckier lately. It's not specific enough. Gotta work on that.
Must. Push. Envelope.
I had this great idea for an exhibition today as I was walking down Cleveland St on my dinner break. Well, I thought it was great at the time, I still think it's very fine. In about 24 hours I'll think it's really banal. In about two weeks I'll know if it's stupid. If I still want to do it in six months it might get done. So entrenched is the procrastination; so essential is the forward planning.
Anyway. My idea. [Oh - it's been all built up now.] I would hire a visual merchandiser to install the works for me in the best way that they could. In a window space, of course. They could use whatever fancy techniques they have. I would give them a bunch of Fimo objects and off they could go. And I could, like, audition different people by asking them to describe on the phone what it is they do. I could record what they're saying and then make a wowie zowie superficial and graphic animation that would illustrate what they're saying. This video would show all by itself inside the gallery.
I think I'm going to pitch this to someone. I like it.
My art ideas are like dreams and my dreams are like art ideas. I suppose that's because both happen in my head.
Ho hum.
I have been thinking a lot about Adrian Mole lately, the TV show specifically. I really think it was very good.
Must. Push. Envelope.
I had this great idea for an exhibition today as I was walking down Cleveland St on my dinner break. Well, I thought it was great at the time, I still think it's very fine. In about 24 hours I'll think it's really banal. In about two weeks I'll know if it's stupid. If I still want to do it in six months it might get done. So entrenched is the procrastination; so essential is the forward planning.
Anyway. My idea. [Oh - it's been all built up now.] I would hire a visual merchandiser to install the works for me in the best way that they could. In a window space, of course. They could use whatever fancy techniques they have. I would give them a bunch of Fimo objects and off they could go. And I could, like, audition different people by asking them to describe on the phone what it is they do. I could record what they're saying and then make a wowie zowie superficial and graphic animation that would illustrate what they're saying. This video would show all by itself inside the gallery.
I think I'm going to pitch this to someone. I like it.
My art ideas are like dreams and my dreams are like art ideas. I suppose that's because both happen in my head.
Ho hum.
I have been thinking a lot about Adrian Mole lately, the TV show specifically. I really think it was very good.
Labels:
Adrian Mole,
art,
blogging,
dreams,
envelopes,
exhibitions,
fimo,
good intentions,
ideas,
projects,
video,
visual merchandising
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